Best compact system camera 2013: the top models reviewed
21st Aug 2013 | 12:25
Get the best compact system camera for your budget
Best compact system cameras
Update: We've added the latest great CSCs and updated the listings with current selling prices, including Australian market prices.
The popularity of compact system cameras (CSCs) has exploded over the last couple of years because of the quality images and flexibility of use they deliver. There are models available from all of the key camera manufacturers including Canon, Fuji, Nikon, Olympus, Panasonic, Pentax, Samsung and Sony.
Although choice is generally a good thing, the vast array of CSCs on the market today can make choosing the right one a daunting prospect.
The popularity of these cameras can be put down to a number of factors. Being able to change lenses increases creative possibilities, plus the large image sensor (when compared to compact cameras) in many helps to improve noise levels at high sensitivities and boost dynamic range.
Recent advances in sensor technology have also helped to close the gap in image quality between these cameras and bulkier DSLRs.
Best full-frame DSLR
Above all else, the compact size means that compact system cameras are not left at home due to their bulk, which, for many, can bring the fun back into picture taking. Models range from those best suited to snap-shooters, right through to cameras with professional-level controls and features.
We've taken a good look through the CSC ranges each manufacturer has to offer and taken each model's strengths into account, to help you to find the camera best tailored to your particular requirements.
Prices listed are typical selling prices for standard packages with a basic zoom lens included, in the UK, Australia and the US. We've grouped the best compact system cameras by brand and ranges, and put them in current market price order, to help you to find your way around the best CSCs on offer now.
Panasonic Micro Four Thirds range
Developed jointly by Olympus and Panasonic, the Micro Four Thirds system was the first true mirrorless interchangeable lens camera system available.
The imaging sensor has an aspect ratio of 4:3, unlike many other cameras that stick to the same 3:2 aspect ratio of 35mm film. There's also a crop factor of 2x, which means a 25mm lens is required to provide the same angle of view of a 50mm lens used on a 35mm camera.
Currently, Micro Four Thirds camera owners have the widest range of lenses to choose from, with lenses from both manufacturers being compatible with all Micro Four Thirds cameras. Due to the wide support this system enjoys, third-party lens and accessory manufacturers such as Sigma and Voigtlander also supply compatible products. Adaptors for a wide range of lenses are available to enable them to be mounted on Micro Four Thirds cameras.
Price: £400/US$600/AU$650 (with 14-42mm lens)
Specs: 16MP sensor, 180-degree touchscreen, Wi-Fi/NFC
Panasonic has given the new Lumix GF6 a more complete overhaul than it has given to other cameras on previous upgrades. It now includes a 16 million pixel sensor, which is the same device that we found in the GX1.
Along with the sensor is a brand new Venus engine and most noticeably a new tilting 180-degree touchscreen and a mode dial on top of the camera.
It also includes inbuilt Wi-Fi technology, and was the first Panasonic interchangeable lens camera to include NFC. Keen to appeal to the beginner audience, the camera includes even more digital filters than before.
Read our Panasonic GF6 review
Price: £450/US$330/AU$500 (with 14-42mm lens)
Spec: 12.1MP, 1080p video, 3-inch touchscreen
Panasonic has done a great job at building a compact system camera that will appeal very strongly to those looking to step up from compact or bridge models, while keeping enough manual controls to satisfy those looking for more.
The amount of detail the Panasonic Lumix GF5 captures is particularly impressive - especially considering the lens we used for the majority of our shots was the supplied kit lens (albeit the more expensive option). This is a great option for those looking to get started with a compact system camera.
The Panasonic Lumix GF5 wins our Best entry-level CSC award.
Read our Panasonic GF5 review
Price: £450/US$700/AU$800 (with 14-42mm lens)
Spec: 16MP, 1080p video, 3-inch adjustable touchscreen, EVF
Featuring a newly designed 16MP digital sensor and Venus Engine VII FHD processor, Panasonic promises that the G5 delivers images that are cleaner and freer of noise than seen before on a G series camera. Panasonic is keen to call the G5 a Digital Single Lens Mirrorless (DSLM) camera, since it's slightly bigger than most CSCs.
Innovative new features such as the TouchPad AF operation and Eye Sensor AF are appealing. It also has a good number of automatic controls, digital filters and scene guides to appeal to novices or those looking simply to point and shoot.
The Panasonic G5 is our Best mid-range CSC award-winner.
Read our Panasonic G5 review
Price: £620/US$750/AU$870 (with 14-42mm lens)
Spec: 16MP, 1080p video, 3-inch adjustable touchscreen, EVF
Although it will be keeping the G5 in the line-up, the G6 is its successor featuring the same 16.05 million pixel sensor but featuring a new more powerful Venus Engine, a better touchscreen and an improved electronic viewfinder. Panasonic says that the camera can produce better quality images than its predecessor thanks to its new processor.
Panasonic has stuck with the DSLR type styling, while other innovative specifications including TouchPad AF remain.
Price: £820/US$1,000/AU$1,200 (body only)
Specs: 16MP sensor, tilting EVF, Wi-Fi/NFC, tilting touchscreen
Panasonic kept us waiting a long time for the GX7, the replacement for the GX1. Panasonic claims that this camera offers the best image quality of any Micro Four Thirds camera.
The 16MP sensor is new, while a new Venus Engine image processor is designed to produce better low light images. One of the most appealing features is the 2.76 million dot tilting electronic viewfinder, which is joined by a 1 million dot tilting touchscreen.
Other interesting features include focus peaking, Creative Panorama, Clear Retouch and in-camera image stabilisation.
Read our Hands on: Panasonic GX7 review
Price: £900/US$1,100/AU$1,400 (body only)
Spec: 16.05MP 17.3x13mm Live MOS sensor, Full HD video, 3-inch 614,000-dot variangle touchscreen
Panasonic has made the GH3 more appealing to serious photographers than the Panasonic GH2 by increasing the number of direct controls it has on its body and giving it a more robust magnesium alloy construction that is dust and weatherproof.
The GH3 is also quite a bit bigger than the GH2 that it replaces and it is a similar size to an entry-level SLR.
As on the GH2, the GH3's 3-inch screen is touch-sensitive, but it's a capacitive device and very responsive, so it makes selecting settings, making adjustments and scrolling through images very easy.
The GH3 produces high quality still images and movie footage, but as is often the case, we recommend keeping the sensitivity below ISO 6400 where possible.
All the modern conveniences that we want from a digital compact system camera are provided by the GH3; a decent EVF, an articulating capacitive touchscreen, Wi-Fi connectivity and a fast autofocus system. Not to mention excellent image quality.
Read our Panasonic GH3 review
Olympus Micro Four Thirds range
Olympus PEN Mini E-PM2
Price: £400/US$500/AU$580 (with 14-42mm lens)
Spec: 16.1MP, 1080p video, fixed 3-inch touchscreen, TruePic VI image processor
Olympus announced the PEN Mini E-PM2 and the PEN Lite E-PL3 together, at Photokina 2012. Both feature touchscreen controls for quick and easy autofocusing, plus ports for external EVFs, the Mini has a smaller body than the Lite, and a fixed LCD screen rather than an articulating one.
It also has the same excellent 16.1MP Four Thirds type sensor and TruePic VI image processor as the Olympus OM-D, Olympus's premier compact system camera. Another feature borrowed from the OM-D is Live Bulb mode for long exposures, which shows you the image building up on the LCD screen so you can simply close the shutter when the exposure looks right.
Read our full Olympus PEN Mini E-PM2 review
Olympus PEN Lite E-PL5
Price: £490/US$600/AU$750 (with 14-42mm lens)
Spec: 16.1MP, 1080p video, 3-inch tiltable touchscreen, 12 art filters
As before, the new Olympus PEN Lite E-PL5 is smaller than the Olympus PEN, but bigger than the Olympus PEN Mini E-PM2. Like the Olympus PEN Lite E-PL3 that it replaces, the Olympus PEN Lite E-PL5 has a tilting 3-inch screen, and it's now touch-sensitive.
The touchscreen works with the Live Guide that helps novices make settings adjustments, with the 12 art filters, with Touch Shutter mode and for setting autofocus points. The compact system camera also accepts interchangeable grips that are fixed onto the body by a chunky screw.
Read our Olympus E-PL5 review
Olympus OM-D E-M5
Price: £950/US$1,300/AU$1,400 (with 12-50mm lens)
Spec: 16MP, 1080p video, 3-inch OLED tilting screen, dust and splash-proof, built-in EVF
Harking back to the classic design of Olympus OM 35mm SLR cameras, the OM-D E-M5 mixes retro styling with modern sophistication. A 16 megapixel LiveMOS sensor, capable of recording images at sensitivities up to ISO 25600 and full HD video, is encased with a weather-sealed magnesium alloy body with a built-in electronic viewfinder and a tiltable three inch OLED screen.
Being aimed at serious photographers, the OM-D sports quick access to manual exposure functions. A newly developed five-axis sensor-shift image stabilisation system also promises to keep images sharp across the frame by compensations for body movement as well as vertical and horizontal camera movements. This new system also works during video recording.
Read our Olympus OM-D review
Olympus PEN E-P5
Price: £1,350/US$1,500/AU$1,500 (with 17mm lens and EVF)
Specs: 16MP OM-D sensor, TruePic VI processor, retro design
Aside from the same sensor and processor as the Olympus OM-D, the Olympus PEN E-P5 boasts an impressively fast maximum shutter speed of 1/8000 second.
Live Time and Live Bulb, the innovative way of shooting long exposures as introduced on the OM-D, is included here. Photo Story mode is also included, enabling you to build a montage of photos within the camera itself.
Shooting at up to 9fps is possible, and now includes continuous autofocusing. The new PEN boasts a start-up time of just 0.5 seconds, as well as fast shot-to-shot times and very fast autofocusing speeds.
Read our full Olympus PEN E-P5 review
Sony NEX range
Although Sony NEX cameras aren't the most compact on offer here, they sport a large APS-C sensorwith a crop factor of 1.5x. This means a 30mm lens is required to provide the same angle of view as a standard 45mm lens on a 35mm camera.
Larger sensors have a greater surface area available for reacting with light, which should improve performance at high sensitivities and dynamic range in high contrast situations. Having more surface area available also enables higher pixel counts to be achieved.
A decent number of additional lenses are available for the NEX system, with third-party lens manufacturers such as Tamron beginning to support the E-mount. Owners of Sony Alpha cameras can purchase an adaptor to enable A-mount lenses to be used with the cameras too.
Price: £330/US$500/AU$530 (with 16-50mm lens)
Spec: 16.1MP, 1080p video, 3-inch tiltable LCD screen
The Sony NEX-3N sits in the company's cheapest and most basic entry-level CSC range. It replaces the Sony NEX-F3 and has a redesigned chassis, which makes it the smallest and lightest CSC to feature an APS-C sized sensor.
Aiming pretty squarely at compact camera "step-up" users, the camera has a 16.1 million pixel sensor, the same device that can be found in the Sony NEX-5R. It also features a 180-degree tilting LCD screen, which is ideal for framing self-portraits, though it's not touchscreen.
Read our full Sony NEX-3N review
Price: £480/AU$800 (with 16-50mm lens) US$600 (with 18-55mm lens)
Spec: 16.1MP, 1080p video, 3-inch tilting touchscreen, Wi-Fi
The NEX-5R is the first Sony CSC with Wi-Fi connectivity, and is a significant upgrade on the Sony NEX-5N. The inclusion of downloadable apps enables quick and easy customisation, and the new hybrid AF system works well.
The Sony NEX-R5 shows how compact system cameras are really coming into their own. The design doesn't have to rely on retro chic, but instead uses modern research and development to create a compact body shape that both fits the electronics and also feels comfortable to hold.
Read our Hands on: Sony NEX-5R review
Price: £650/US$800/AU$1,000 (with 16-50mm lens)
Spec: 16.1MP APS-C format CMOS sensor, Full HD video, 3-inch 921,000-dot tilting LCD, 2,359,000-dot EVF
Unlike the Sony 5R below it in Sony's CSC line-up, the Sony NEX-6 has an electronic viewfinder (EVF) built-in. There's also a pop-up flash and a standard design hot-shoe to accept a flashgun. Oddly, however, the screen is not touch-sensitive like the 5R's and it can't tilt right up to help with self-portraits.
As usual the enthusiast's favourite exposure modes (aperture priority, shutter priority and manual) are available along with a collection of scene modes for less experienced users. The camera is also Wi-Fi enabled and is compatible with Sony's apps to add extra functionality.
We found the NEX-6 a very enjoyable camera to use and it produces some excellent results that can be shared directly on social networking sites like Facebook.
Read our Sony NEX-6 review
Price: £750/US$1,100/AU$1,125 (body only)
Spec: 24.3MP, 1080p video, 3-inch tiltable LCD screen, EVF, direct manual control
A compact system camera with professional ambition. The Sony NEX-7 is the flagship model in the Sony CSC range, sporting a 24.3MP CMOS sensor, Full HD video recording and direct manual controls. The high pixel count should enable really large prints to be produced. A 3-inch tiltable LCD screen provides extra flexibility when shooting, and the lightweight magnesium body feels reassuringly rugged.
A high-resolution OLED electronic viewfinder is included, enabling you to choose your preferred method for composing images. ISO sensitivities up to ISO 16000 are available, enabling images to be taken in very dark conditions.
The Sony NEX-7 wins our Best advanced CSC award.
Read our Sony NEX 7 review
Nikon 1 Series
Nikon was late to the compact system camera party with the 1 Series, and the announcement was quite a surprise for many, due to the small sensor size and other new technologies included as standard.
The CX format sensor, at 13.2 x 8.8mm, is much smaller than the APS-C sensor in the Sony NEX series and the Micro Four Thirds sensor in Olympus and Panasonic CSCs. This results in a crop factor of 2.7x, which means an 18.5mm lens would provide an angle of view equivalent to a 50mm lens used on a 35mm camera.
Having such a small sensor may cause issues for Nikon producing wide-angle lenses for the system, due to the short focal lengths required. Currently only a few lenses are available for the system, but an adaptor is available to enable Nikon F Mount lenses to be used.
Nikon is the only manufacturer currently to employ a hybrid focusing system, which combines the benefits of phase and contrast detection autofocus. To reduce shutter lag, the 1 series also begins taking images before the shutter is fully pressed.
Nikon 1 J2
Price: £390/US$350/AU$350 (with 10-30mm lens)
Spec: 10.1MP, 1080p video, 3-inch LCD screen, creative mode
Unlike other systems, Nikon uses a smaller, 1-inch CX format sensor in the Nikon 1 J1 and Nikon 1 J2, which enables a smaller overall body size.
More of a tweak here and there than a full-blown upgrade, the Nikon 1 J2 nevertheless is a good camera that is more than fit for purpose. The extra resolution on the screen is a welcome addition, as is the ability to more quickly access creative modes.
Read our Nikon 1 J2 review
Nikon 1 J3
Price: £550/US$550/AU$700 (with 10-30mm lens)
Spec: 14MP, 1080p video, 3-inch LCD screen
The J3 has the world's smallest body for a compact system camera, with a CX format (1-inch) sensor. The fact that it has a higher resolution, has some much needed tweaks - and has the addition of some extra modes (such as Slow View), makes this a decent upgrade from the J1.
The Nikon 1 J3 is a very likeable camera, and if you're new to the CSC market it's certainly a good option. The number of compatible optics are growing for the Nikon 1 range, with some, such as the 50mm f/1.8, being a good investment to help you get more from the camera. With a few niggles, though, it's far from being perfect.
Read our Nikon 1 J3 review
Nikon 1 V2
Price: £660/US$900/AU$1,000 (with 10-30mm lens)
Spec: 14.2MP, 1080p video, 3-inch LCD screen, creative mode
Nikon has replaced the Nikon 1 V1 with the Nikon 1 V2, producing a more sophisticated CSC that is more likely to appeal to advanced photography enthusiasts, thanks to the addition of a mode dial and the improved ergonomics.
Whether it will tempt anyone away from the slew of larger sensored compact system cameras currently on the market seems questionable. Although it probably still won't overtake the J series in terms of popularity, the images from it are a step up for those looking to get a little more serious with their photography, making it a good introduction to the world of CSCs.
Read our Nikon 1 V2 review
Nikon 1 J1
Price: £230/US$300/AU$400 (with 10-30mm lens)
Spec: 10.1MP, 1080p video, 3-inch LCD screen, 60fps continuous shooting
Aimed at those ready for a step up from conventional compact digital cameras, the Nikon1 J1 is designed to be compact and, above all, easy to use. The modest 10.1MP resolution is among the lowest found on current CSCs, but since each pixel should have a larger area to react to light, this should help the camera's performance at high ISO sensitivities. A built-in flash is available for extra illumination.
The sleek, compact body is available in a range of five colours, enabling you to choose the one that suits you best. In addition to the HD video feature, which can record 1080p resolution footage, full resolution still images can be taken during recording, which is quite a handy feature. Fast action can be captured at a blazingly fast 60fps at full resolution too.
The Smart Photo Selector feature shoots images before and after the shutter button is pressed, saving the 'best' five to the memory card for whittling down later. This feature is unique to the Nikon 1 series, and should increase your chances of getting the shot you're after.
Read our Nikon 1 J1 review
Samsung NX System
Samsung is often overlooked when considering cameras, but its NX Series of compact system cameras is well worth investigating.
Based around an APS-C sized sensor, similar to the Sony NEX series, this results in a crop factor of 1.5x. A reasonable selection of lenses is available to choose from, with most popular focal lengths covered.
The latest iFunction lenses enable common functions such as ISO, aperture and exposure compensation to be adjusted via the manual focus ring on the lens, providing an intuitive method for manual control.
Price: £260/US$370/AU$400 (with 20-50mm lens)
Spec: 20.3MP, 1080p video, 3-inch LCD screen, Wi-Fi
Although the NX1000 lacks the quality feel of the other NX cameras, it provides a lot of functionality. And given that it has the same sensor and processor, it should produce comparable images at a more attractive price.
Read our Hands on: Samsung NX1000 review
Price: £300/AU$600 (with 18-55mm lens) Not sold in the US
Spec: 14.6MP, 720p video, 3-inch AMOLED screen, EVF
Samsung's NX11 has more conventional DSLR styling and is the only current NX series camera to sport a electronic viewfinder. The same 3-inch AMOLED screen found on other NX cameras is also fitted to the NX11.
A 14.6MP CMOS sensor should provide ample resolution for most users, and HD videos can be recorded at 720p resolution. A lens priority mode provides optimised exposure settings for the attached lens and scene. Pressing the iFunction button on the lens enables the correct parameters to be entered quickly and simply.
Read our Samsung NX11 review
Price: £500/US$800/AU$800 (with 18-55mm lens)
Spec: 20.3MP sensor, articulated touchscreen, Wi-Fi
It's clear that a lot of consideration has gone into not only what the Samsung NX300 should do, but also how it is achieved, since you're never more than a couple of clicks away from any setting you need to change. Adobe Photoshop Lightroom is bundled with this camera in a bid to appeal to enthusiast-level photographers.
Image quality is very good, and features such as a 1/6000 maximum shutter speed and 0.08 second autofocusing speeds also make it very appealing.
Read our full Samsung NX300 review
Samsung Galaxy NX
Price: £1,300 (with 18-55mm lens) US/AU prices TBC
Spec: 20.3MP sensor, Android Jelly Bean OS, Wi-Fi/NFC, 4.8-inch TFT
Samsung's Galaxy NX stands out from the other compact system cameras on the market for a number of reasons. It's the first interchangeable lens camera to feature the Android operating system, following on from last year's Samsung Galaxy Camera, a compact camera.
It also has a 4.8-inch touchscreen and is almost devoid of any physical buttons. Naturally, it is equipped with Wi-Fi and NFC capability.
The 20.2 million pixel APS-C sized sensor is joined by a Drime IV Image Signal Processor.
Read our Hands On: Samsung Galaxy NX review
Canon, Pentax, Ricoh, Leica and Fuji
Canon EOS M
Price: £375/US$350/AU$650 (with 18-55mm lens)
Spec: 18MP, 1080p video, 3-inch touchscreen, EF lens adaptors
Canon finally entered the CSC fray with the long awaited EOS M, which uses the exact same 18MP APS-C format sensor and other innards as the Canon EOS 650D. One notable difference from the 650D, however, is the use of the new Canon EF-M lens mount, which has a shallower flange depth.
Canon wanted to produce a high quality camera that is easy to use and bridges the gap between compact and DSLR cameras. On the face of it, it seems to have achieved this and more, with adaptors for your EF and EF-lenses even available. However, although the image quality is superb, the M is let down by its slow autofocus system.
Read our Canon EOS M review
Price: £290/US$350/AU$550 (with 5-15mm lens)
Spec: 12.4MP, 1080p video, 3-inch touchscreen
Unlike most other manufacturers, that opted for larger sensors in their compact system cameras, Pentax has chosen to use a sensor no bigger than can be found in many mid-to-high-end compact cameras for the Q and subsequently the Q10. This has enabled Pentax to create the smallest camera with interchangeable lenses currently available.
The Pentax Q10, like its predecessor, is no bigger than many other advanced compact cameras, yet able to accept interchangeable lenses, it fills the gap between traditional advanced compact digital cameras and larger mirrorless camera systems well.
Those looking for a quirky alternative to the current crop of compact system cameras, with portability being their main concern, may be well served by the Pentax Q10, so long as you're well aware that its compact-camera-saize 1/2.3'-inch sized sensor means that its image quality falls short of cameras equipped with a larger sensor.
Read our Pentax Q10 review
Price: £330/US$430/AU$550 (with S10 24-72mm lens)
Spec: Various sensors available, lens and sensor come as one complete unit
Ricoh's GXR is truly unique. Instead of just changing the lens, each lens comes with its own sensor tailored to the job. Although this novel idea makes sense as far as future-proofing the camera is concerned, it means each lens costs almost as much as a camera itself. It also means each lens unit can be a different resolution, to suit your different needs.
Ricoh continues to release new lens units and accessories for the system, the most exciting being a Leica M-series unit, which can accept a wide range of M-series-compatible lenses. Within this unit is a 12MP APS-C sensor, with a crop factor of 1.5x. This certainly isn't a mainstream system, but if it ticks certain boxes for you, it may be worth a closer look.
Read our Ricoh GXR review
Price: £4,950/AU$8,000/US$7,000 (body only)
Spec: Various sensors available, lens and sensor come as one complete unit
The Leica M system has existed longer before digital cameras and CSCs were conceived, but the M-series cameras are mirrorless rangefinders. Hence, the M9 deserves a place in this buying guide.
Leica has a reputation for quality that precedes each camera it releases, and these cameras come at a price. Those with a taste for the exotic may consider the Leica M9, the only camera in this list to use a sensor which is equal in size to 35mm film.
The M9's die cast brass construction is incredibly rugged and controls are kept simple. The body also houses an 18MP Kodak CCD sensor specifically designed for the M9. A micro-lens arrangement on the sensor surface is designed to reduce darkening towards the corners, especially with wide-angle lenses. The highest ISO sensitivity available is ISO 2500.
Unlike other mirrorless cameras, there's no video mode or autofocus - focusing is manual, using the rangefinder in the optical viewfinder for reference. Although not for everyone, the Leica M9 is still a compelling choice for photography enthusiasts, collectors and those who require a good digital rangefinder camera.
Read our Leica M9 review
Leica M Monochrom
Price: £6,000/AU$10,450/US$7,950 (body only)
Spec: 18MP, 1080p video, 2.5-inch LCD screen, EVF, APS-C sized X-Trans CMOS sensor
Although it is based on the Leica M9, the Leica M Monochrom has no colour filter array, so it can only record black and white images. This means that every one of its 18 million pixels is used to record brightness values, and there is no demosaicing of the red, green and blue signals to create a full colour image.
It's about getting the best black and white photo possible, and this means gathering the maximum amount of luminance data in-camera. It comes withAdobe Lightroom and Nik Silver Efex Pro 2, recognising that in the modern age some adjustment is often necessary to get the desired look.
Read our hands on: Leica M Monochrom review
Price: £900/US$1,200/AU$1,200 (with 18-55mm lens)
Spec: 16MP, 1080p video, 2.8-inch LCD screen, EVF, APS-C sized X-Trans CMOS sensor
Combining the fantastic technology of the Fuji X-Pro1 with a more consumer-friendly price and a smaller, more streamlined body will surely make the Fuji X-E1 appeal to a wide range of people.
Adding a new 18-55mm kit lens to the lineup of the Fuji X range of CSCs is also a smart move, which will again appeal to a new crowd. The fact that the lens has a metal build and a wide f/2.8 aperture should also mean that it wins favour with existing X series users, and should allay fears of a drop in performance that is usually associated with kit optics.
Read our Fuji X-E1 review
Price: £950/US$1,200/AU$1,400 (body only)
Spec: 16.3MP, 1080p video, 3-inch RGBW LCD screen, hybrid viewfinder
Fujifilm has created quite a stir with its announcement of the X-Pro1 mirrorless interchangeable lens camera. It uses the same hybrid viewfinder technology as the Fuji FinePix X100 compact camera. The viewfinder can be switched between an optical or a digital view instantly, with vital exposure information overlaid when using the optical viewfinder.
Fuji has developed a new lens mount for the system, which has a wide opening, enabling lenses to be mounted closer to the image sensor. This should help with lens quality, especially with wide-angles, because the short distance to the sensor can result in simpler optical design. The CSC's Leica M mount adaptor will open up a range of high-quality optics from Leica and Voigtlander.
A newly developed 16.3MP APS-C sized X-Trans CMOS sensor lies at the heart of the Fuji X-Pro1. This sensor is unique, since the individual RGB photosites are arranged more randomly than conventional Bayer pattern sensors. This is claimed to reduce Moiré patterning, so the sensor doesn't require an anti-aliasing filter, which should greatly improve sharpness of images.
Although the images from the X-Pro 1 can't quite match those from full-frame sensors for detail, they are very impressive and the dynamic range is excellent. This is definitely a camera to consider if you like traditional exposure controls.
Read our Fujifilm FinePix X-Pro1 review